GIVE SOUL
A game mission at Ahoy.
A phone call in Ibiza, a flight to Rotterdam and a drive through the city at night, styled as an open world game and cut to the DJs’ own track. Shared close to 5,000 times.
What we make. AI video production.
Generative AI is our speciality. We use it to make commercials, music videos and campaigns that would cost far more to shoot, or that cannot be shot at all. It is one of our tools, next to 3D, animation and real shoots. What makes it work is the direction: a script, a storyboard and a team that checks every frame.
Start a conversationThe work
GIVE SOUL
A phone call in Ibiza, a flight to Rotterdam and a drive through the city at night, styled as an open world game and cut to the DJs’ own track. Shared close to 5,000 times.
NACHT WACHT × ALTRUISM
Videographer Jos van de Leur shot the live footage in a forest in Arnhem. We added what no camera could catch, like a wolf keeping watch with the moon in its eye.
THE CONGREGATION
Our own film: a Shinto shrine in drift smoke and a last supper in balaclavas. The collision only works if every frame is played dead straight, and that is where direction comes in.
How we work with AI
Every film starts with a script and a storyboard. The storyboard frames are finished images, so what you approve is what you get.
We build a setup for every client, with references that keep every frame in your style and your characters the same in every shot.
When the project needs it, we combine AI with real footage and 3D. On the Spoorzone trailer a videographer shot the live scenes and we made the rest.
We edit every film, add sound design, mix it and grade the colour. Faces, hands and details that drift are fixed or made again.
What you get
How it works
Questions
Two things. It costs less, because there is no set, crew or location to pay for, and that budget goes into more versions, more formats and a better finish. And it can take place anywhere: a boutique that does not exist, a fantasy world for a music video, a city at night you could never close off for a shoot. A few years ago that took a CGI studio and a budget to match. Now we make it for a fraction of that.
It should not. We check every frame for faces, hands and details that drift, and fix or remake what does not hold. Characters and products stay the same from shot to shot.
Yes. We work from your photos, product shots or footage, and keep them recognisable in every shot.
No. We use it when it is the best way to make the idea. Some projects are 3D, animation or a real shoot, and many are a mix.
We do. Nikol Zarovnaya leads the creative direction on every project. AI lets us try more ideas and work faster, and the choices are made by people.
What else we make
Frame 06 / 06. Start
Tell us about the project, the deadline and what you need. We reply within 48 hours.
Start a conversation Or email us at info@sparkd-studio.com